Stereo mix plus software review
Whenever a setting changes, the entire interaction between EQ bands occurs. One of the unique qualities of passive EQ designs is that the audio signal reacts to the multiple bands as one big filter network. All the complex interactions between each single filter are faithfully preserved in every detail. The plugin faithfully reproduces the unique sound characteristics of the original hardware Passeq. The Passeq offers, for the first time, passive filter control possibilities with an unheard of abundance of filter choices. SPL’s Passeq has 12 switchable frequencies per band, totaling 36 boost and 36 cut frequencies! Boost and cut frequencies are NOT identical, thus the resultant 72 frequencies per channel offer an enormous choice for the most elaborate EQ curves. The Pultec EQ, the famous passive EQ from the 1950’s and 60’s, featured just two frequency bands and had very limited switchable frequencies. The original hardware Passeq was the first passive EQ to provide three separate frequency ranges for boosting and cutting. The most powerful passive EQ ever. Made by Brainworx in cooperation with SPL. Tweak your mix on location from the front panel.This plugin is included in our MIX & MASTER and MEGA Bundle Subscription at no extra cost!
#Stereo mix plus software review software
This means you can program your mixes with the CueMix FX software in the studio and then take your MOTU interface on the road as a stand-alone digital mixer. You can also combine the spectrogram with the FFT display and EQ curve in the same display, or separate them to view them individually but simultaneously.įront-panel LCD access to all mix settingsĪll of the mixing features described on these pages (except for the signal analysis tools mentioned above) are available during stand-alone operation, and all of them can be accessed from the front panel LCD. You can expand the spectrogram to fill the entire resizable CueMix FX on-screen window.
Talkback and ListenbackĬueMix FX provides an optional real-time FFT display super-imposed on top of the graphic EQ curve so you can see as well as hear the effect of your equalization adjustments.ĬueMix FX also provides real-time spectrogram "waterfall" display that provides rich, detailed visual information about the frequency content of any signal or mix. However, DSP resources are allocated dynamically and a DSP meter allows you to keep tabs on your interface's CueMix FX processing resources.Įach input, output and mix bus provides a send to the Classic Reverb processor, which then feeds reverb returns to mix buses and outputs, with a selectable split point between them to prevent send/return feedback loops.
The CueMix FX flexible effects architecture allows you to apply EQ and compression on every input and output (up to 58 channels, depending on your interface), with enough DSP resources for at least one band of parametric EQ and compression on every channel at 48 kHz. Each mix can support all inputs (analog and digital). For example, you could set up separate monitor mixes for the main outs and headphone outs, while two additional stereo buses could be used for send/return loops to reverb units or other outboard gear. Your MOTU audio interface supports up to eight separate stereo mixes (seven for the UltraLite-mk3) assigned to any digital or analog output pairs.